There is a lot more than the following information if you really want to cross-section the process of creating compelling characters, but that would mean an incredibly long post and lots of text. Therefore, I've narrowed it down to what I think are the most important things you should (and should not) do to create compelling characters.
What Is the Conflict?
What sort of conflict is the character going through? What sort of challenges face him/her? Strife is a good way of making the reader bond with the character, to feel something for the events that happen to your character. It can be physical, it can be psychological, it can be any sort of conflict, but there has to be some sort of predicament that the character has to face. If nothing is happening there's really no reason for the reader to stick around--the reader isn't compelled to find out what happens.
I would like to mention here a good example of this sort of thing: Incarceron by Catherine Fisher. Some people said that it was slow and dull, while others adored it. I'm in the "adored" category, because there is conflict in the start of the book. Finn is about to get run over, and afterwards the world in which he lives is revealed; the place is violent politically and is a dangerous world to exist in. It throws you straight into the action and into the lives of the people and there isn't any dilly-dallying over insignificant details.
Every Person Wants Something
It's true. Almost all of us want something out of life, whether it's freedom, true love, liberation, self-discovery, or any such thing as that. What does your character want? Make the reader discover it--but there are different ways of doing that. It can be said in the first chapter with a statement made by the character. Or you can draw out the moment that the reader learns the full scope of his/her desires through a sequence of events or by conversation with another character.
Make the want real. Make it realistic and believable. For example, if there's a man living in Chicago who has a desk job and pores over documents for a living, a realistic desire would be moving away and getting a better job doing something he enjoys. If your character is, say, the President of some country, (I actually do have a character who is the President of a planet) a believable want would be the health and prosperity of his/her people or achieving political goals.
3-Dimensionality
Everyone has their secrets. It's true. I know you do. You might say that one character has this want/need--but, underneath it all, does he/she really believe that's what they want? Withdraw from the character's thoughts for a moment and focus on their external appearances. A person's actions and body language can say a whole lot more than their words can. Do they shift here when someone mentions such-and-such? Do they cough or close their eyes when that person brings up a certain subject? What's really behind his/her attitude should be revealed to the reader and/or to the other characters around them in twists and turns of the plot.
Don't Overuse Ideas
What's the Point?
What is the point of your main character(s)? Are they another facet to a bigger picture, and they're there to show different personalities? Do they add something to the diversity of the setting that your story takes place in? Do they affect others around them in significant ways? Do they have something that makes them stand out and make the reader actually feel something for the character? Love? Hate? Disgust? Adulation?
The character should say "Pay attention!" in some way. Whether it be to make the reader experience what the character is experiencing, to make the reader understand something, to get a point across, or to simply present the world and its different perspectives, you need to make sure that the particular character has a point to their existence. The role they play (for it to be worthwhile to read and write about) has to be influential enough on either the reader or the other character.
To me, those points are the main reasons I find a character compelling. Let's condense:
1. Your character must be going through some sort of significant conflict.
2. The character must want something. Money. Power. Freedom. Love. Security. Even (although this case has been a little overused in my opinion) normalcy. Something that relates to their situation believably.
3. 3-Dimensionality AKA what your character(s) is/are hiding.
4. Be original. Don't emulate, copy, or repeat.
5. Make sure that the character has a purpose in the grand scheme of things.
There you have it! Do you have anything to add? Comment on? Disagree with? Did you write your own post for this Blogging Experiment?
-----The Golden Eagle


